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Arvo Pärt in Christ Church Cathedral, Dublin, 2008
This is an incomplete list of works by the Estonian composer Arvo Pärt.
- 1Compositions
Compositions[edit]
Vocal and choral works[edit]
- Our Garden for children's chorus and orchestra (1959/2003)
- Solfeggio for chorus (1964/1996)
- Credo for chorus, orchestra, and piano solo (1968)
- An den Wassern zu Babel saßen wir und weinten for voices or choir and organ or ensemble (1976/1984)[1]
- Missa syllabica for chorus and organ (1977/1996)
- Summa for chorus (1977)
- Sarah Was Ninety Years Old for three voices, percussion and organ (1977/1990)
- De profundis for men's voices, percussion (ad lib.) and organ (1980)
- Passio for soloists, vocal ensemble, choir and instrumental ensemble (1982)
- Es sang vor langen Jahren for alto, violin and viola (1984)
- Wallfahrtslied for tenor or baritone and string quartet or string orchestra (1984/2000)
- Te Deum for chorus, string orchestra and tape (1984–1985/1992)
- Stabat Mater for 3 voices and string trio (1985)
- Magnificat for chorus (1989)
- Miserere for soloists, choir, ensemble and organ (1989/1992)
- Bogoróditse Djévo (rus. Богородице Дево) for chorus (1990)
- The Beatitudes (1990)
- Berliner Messe for SATB soloists or chorus with organ or string orchestra (1990/1992)
- 7 Magnificat-Antiphonen for chorus (1991)
- And One of the Pharisees for three voices (1992)
- Litany for soloists, chorus and orchestra (1994)
- Cantate Domino canticum novum for chorus or soloists and organ (1996)
- Dopo la Vittoria for chorus (1996)
- I Am the True Vine for chorus (1996)
- The Woman with the Alabaster Box for chorus (1997)
- Tribute to Caesar for chorus (1997)
- Kanon Pokajanen for chorus (1997)
- 2 Slawische Psalmen for chorus or soloists (1997)
- Triodion for chorus (1998)
- Como cierva sedienta for soprano, chorus and orchestra (1998)
- Cantiques des degrés for chorus and orchestra (1999/2002)
- Cecilia, vergine romana for chorus and orchestra (1999/2002)
- My Heart is in the Highlands for countertenor and organ (2000)
- Which Was the Son of... (2000)
- Littlemore Tractus for chorus and organ (2001)
- Nunc Dimittis for chorus (2001)
- Salve Regina for chorus and organ (2001)
- Zwei Wiegenlieder for two women's voices and piano (2002)
- Peace upon you, Jerusalem for female chorus (2002)
- Most Holy Mother of God for four voices (2003)
- In Principio for chorus and orchestra (2003)
- Da pacem Domine for four voices (2004)
- L'Abbé Agathon for soprano, four violas and four celli (2004/2005)
- Anthem of St John the Baptist written for St John's College, Oxford (2005)
- The Deer's Cry written for chorus for Louth Contemporary Music Society, Ireland (2008)
- Adam's Lament for mixed choir and string orchestra (2009)
- Vater unser (Our Father) (2011)
- Virgencita (Virgin of Guadalupe) (2012)
- Drei Hirtenkinder aus Fátima (2014)
- Kleine Litanei (2015)
- And I heard a voice... for mixed choir a cappella (2018)
- Prayer from 'Kanon pokajanen' for mixed choir and string orchestra (2018)
Orchestral works[edit]
- Nekrolog for orchestra op.5 (1960)
- Symphony No. 1: Polyphonic op.9 (1963)
- Perpetuum mobile for orchestra op.10 (1963)
- Symphony No. 2 for orchestra (1966)
- Symphony No. 3 for orchestra (1971)
- Wenn Bach Bienen gezüchtet hätte ... for piano, wind quintet, string orchestra and percussion (1976)
- Fratres for chamber ensemble (1976 and on, many versions)
- Arbos for eight brass instruments and percussion (1977/1986/2001)
- Cantus In Memoriam Benjamin Britten for string orchestra and bell (1977)
- Psalom for string orchestra (1985/1995/1997)
- Festina Lente for string orchestra and harp (1988)
- Summa for string orchestra (1991)
- Silouan's Song for string orchestra (1991)
- Trisagion for string orchestra (1992)
- Mein Weg for 14 string players and percussion (1999)
- Orient & Occident for string orchestra (2000)
- Lennartile / Für Lennart for string orchestra (2006)
- La Sindone for orchestra and percussion (2006)
- Symphony No. 4: Los Angeles (2008)
- Silhouette (Hommage à Gustave Eiffel) for orchestra and percussion (2009)
- Swansong (2013)
- Sequentia (2005/2014)
Works for solo instruments and orchestra[edit]
- Collage sur B-A-C-H, for oboe, string orchestra, harpsichord, and piano (1964)
- Pro et Contra, concerto for cello and orchestra (1966, for Mstislav Rostropovich)
- Credo for chorus, orchestra, and piano solo (1968)
- Tabula Rasa, double concerto for two violins, string orchestra, and prepared piano (1977)
- Fratres for violin, string orchestra and percussion (1992)
- Concerto piccolo über B-A-C-H for trumpet, string orchestra, harpsichord and piano (1994)
- Darf ich ... for violin, bells and string orchestra (1995/1999)
- Lamentate for piano and orchestra (2002)
- Passacaglia for violin, string orchestra and vibraphone (2003/2007, for Gidon Kremer's 60th birthday)
- 'Fratres' for guitar and orchestra (2005 recorded; Manuel Barreuco & Orquesta Sinfonica de Galicia)
Chamber works[edit]
- Four Easy Dances for Piano, 'Music for a Children's Theatre': Puss in Boots, Red-Riding-Hood and Wolf, Butterfly, Dance of the Ducklings, for piano (1956/1957)
- Partita, Op. 2 (1958)
- 2 Sonatinen op.1, for piano (1958/1959)
- Quintettino op.13, for wind quintet (1964)
- Collage über B-A-C-H for oboe and strings (1964)
- Ukuaru valss (1973)
- Für Alina for piano (1976)
- Pari intervallo in four parts without fixed instrumentation (1976)
- Version for organ (1980)
- Version for four recorders (1980)
- Version for clarinet, trombone and string orchestra (1995)
- Version for saxophone quartet (2002)
- Version for two pianos or piano duet (2008)
- Version for eight or four cellos (2010)
- Variationen zur Gesundung von Arinuschka for piano (1977)
- Spiegel im Spiegel for violin or viola or cello and piano (1978)
- Fratres (1977–1992)
- Fratres for string quintet or wind quintet (original version)
- Fratres for violin and piano; or cello and piano; or viola and piano
- Fratres for string orchestra and percussion
- Fratres for violin, string orchestra and percussion
- Fratres for cello/viola/guitar/trombone, string orchestra and percussion
- Fratres for string quartet
- Fratres for four percussionists
- Fratres for 4, 8 or 12 cellos
- Fratres for three recorder players, cello (or viola da gamba) and percussion
- Fratres for wind octet and percussion
- Fratres for chamber ensemble
- Annum per annum for organ (1980)
- Hymn to a Great City for two pianos (1984/2000)
- Festina lente for string section and harp (1988)
- Trivium for organ (1988)
- Mein Weg hat Gipfel und Wellentäler for organ (1989)
- Summa for string quartet (1990)
- Psalom for string quartet (1991/1993)
- Mozart-Adagio for violin, cello and piano (1992/1997, from Mozart's Piano Sonata in F major (K 280))
- Passacaglia for violin and piano (2003)
- Für Anna Maria for piano (2006)
Selected discography[edit]
- Tabula Rasa (ECM New Series, CD/LP 1984)
- Arbos (ECM New Series, CD/LP 1987)
- Passio (ECM New Series, CD/LP 1988)
- Miserere (ECM New Series, CD/LP 1991)
- Te Deum (ECM New Series, CD/LP 1993)
- Collage (Chandos Records, CD 1993)
- Litany (ECM New Series, CD/LP 1996)
- Beatus (Virgin Classics/EMI, CD 1997)
- De Profundis (Harmonia Mundi, CD)
- Kanon Pokajanen (ECM New Series, 2xCD 1998)
- Sanctuary (Virgin Classics/EMI, CD 1998)
- I Am The True Vine (Harmonia Mundi, CD 1999)
- Alina (ECM New Series, 1999)
- Orchestral Works (Naxos, CD 2000)
- Te Deum (Deutsche Grammophon/Universal Classics, CD 2000)
- Orient & Occident (ECM New Series, CD 2002)
- Summa (Virgin Classics/EMI, CD 2002)
- Passio (Naxos, CD 2003)
- Triodion (Hyperion, CD 2003)
- Pro & Contra (Virgin Classics/EMI, CD 2004)
- Summa (Naxos, CD 2004)
- Arvo Pärt: A Portrait (Naxos, Compilation CD 2005)
- Lamentate (ECM New Series, 2005)
- Da Pacem (Harmonia Mundi, CD 2006)
- Triodion • Ode VII • I Am The True Vine • Dopo La Vittoria (Naxos, CD 2006)
- In Principio (ECM New Series, CD 2009)
- Symphony No. 4 (ECM, New Series CD 2010)
- Cantique (Sony Classical Records, SACD 2010)
- Adam's Lament (ECM New Series 2012)
- The Symphonies (ECM New Series 2018)
References[edit]
- ^Interview with Arvo Pärt in Plough Quarterly, [1]
External links[edit]
- Arvo Pärt biography and work list on the Universal Edition website
Retrieved from 'https://en.wikipedia.org/w/index.php?title=List_of_compositions_by_Arvo_Pärt&oldid=926822984'
A. PAERT – Trivium – Music. Arvo Part: Musica Selecta – A Sequence By Manfred Eicher [2 CD] 2. Pärt: Mein Weg Hat Gipfel Und Wellentaler. Download Trivium – Arvo Pärt Search. Home · Trivium – Arvo Pärt. Trivium – Arvo Pärt. January 4, | Author: Brantmayer | Category: N/A. DOWNLOAD. Trivium Christopher Bowers-Broadbent organ Recorded October , Avid Arvo Pärt listeners will be more than familiar with the profound.
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The tintinnabular structure varies over the course of the three sections. Trivium utilizes a compositional technique developed in those early pieces, which takes its onomatopoetic name from the sound of a struck bell. M- for melodic lines undertake stepwise figures, usually within and across a diatonic non-chromatic scale.
As it turns out, this is one of several similarities between the two works. Bowers-Broadbent has the uncanny ability to take music advo is seemingly histrionic and forge from it a host of instinctual meanings. Twentieth Century Organ Masterpieces.
They share a common central compositional procedure, which not only results in related sonorities but which carry the same kinds of religious symbolisms as well. In the first, three voices are heard: Dance IVon the other hand, is a more extroverted piece that populates its periphery with movement and attractive forces. That is, the tonic, or main key, area isn’t a point of departure and return, but rather a field of exploration aevo and of itself.
Rather than lay out a program of short, varied pieces, he has turned inward, finding in the works of only three composers enough to describe a universe of ideas. Email required Address never made public. You are commenting using your Twitter account. The Music for Organ. Annum per annum is structured like a mass and brings that same sort of complementary vision to its stark dynamic contrasts.
Trivium, for organ
The melodic patr is sin, mortality, carnality, and earth; the tintinnabular voice is redemption, immortality, godliness, and heaven. Finally, the added voices are silenced and the pedal tone completely disappears in the third section, leaving only a single pair of voices. Notify me of new comments via email. We are slowly brought back into our bodies with two of three voluntaries composed trivuim Peter Maxwell Davies in T- for tintinnabular lines confine themselves to notes within the tonic chord, often arppeggiating in patterns determined by the motion of the M-line.
Pari intervallo was one of the seven works performed in under the title Tintinnabuli. Streams Videos All Posts. On the other hand, the title Trivium refers not to the stratified construction of the work, but rather to the work’s tripartite formal structure and perhaps, if only circumstantially, to the all-important triad. In the second section, the pedal drops an octave opening up space for a deluge of additional voice pairs. Its powerful middle section connotes a triune infrastructure, embodying the balance of divine order in every disturbance.
Christopher Bowers-Broadbent: Trivium (ECM New Series 1431)
Albums like this become triviuj radar, and we the blips upon its screen: Notify me of new posts via email. Drinking Hanging Out In Love. Post was not sent – check your email addresses! Introspection Late Night Partying. Pari Intervallocomposed inlayers intonations in the higher register over a slow chromatic sway of transfiguration.
Sorry, your blog cannot share posts by email. You are commenting using your WordPress. Pari intervallo maintains the same textural structure throughout of two M-voices in parallel motion, separated by a pair of tintinnabular lines.
Certainly a detailed interpretation is not possible here, but when listening to Trivium, you should at least be aware of the spiritual nature of the tintinnabular structure. Organ Music; Choral Music.
Trivium, for organ | Details | AllMusic
The titles of both Pari intervallo and Trivium hint at the processes with which they are constructed. By the time we arrive at trvium final two pieces, each a spectacular arrangement of music by Philip Glass, we are well primed for the metamorphoses implied therein. Peter Laenger Produced by Manfred Eicher.
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All too often, it seems, organ recitals fall under our radar.
Trivium – Arvo Pärt – Free Download PDF
AllMusic relies heavily on JavaScript. Romantic Evening Sex All Themes. Peter Laenger Produced by Manfred Eicher I am a rider without mount, an ocean without waves, a horizon without dawn, nailed to myself, nailed to an absence in time which, after me, becomes the time of absence.
The voices are usually homophonically paired so that while the tonic is always being represented by the T-voice, it is the central thread within a broader and constantly changing harmonic landscape. Sexy Trippy All Moods.
I am a rider atvo mount, an ocean without waves, a horizon without dawn, nailed to myself, nailed to an absence in time which, after me, becomes the time of absence.
Trivium is like a constellation burning silently for our scrutiny. Leave a Reply Cancel reply Enter your comment here Satyagraha renders the finale of Act III from the selfsame opera into a whirling dervish of stratospheric proportions. Please enable JavaScript in your browser to use the site fully.
Fill in your details below or click an icon to log in: These arrangements of sixteenth-century Scottish hymns seem to unpack, in a brief span of time, the mystery of faith.
Trkvium Latin New Age. The English organist has long held contemporary music in high regard, and has enriched the liturgical landscape with numerous commissions as well as his own compositions.